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Goya y Lucientes, Francisco de

The famous Fernando del Toro, picador, forcing the beast with his pole (Tauromaquia Plate 27)

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Francisco de Goya y Lucientes, an international acclaimed artist, continued producing his excellent graphic work in a few traumatic years after the Peninsula War, troubled his being forever. Between 1814 and 1816, probably while engraving Los Caprichos Enfáticos, he began to work on one of his most enigmatic graphic series for its background, La Tauromaquia. Goya made public scenes belonging to the town's manners, which long ago became a popular festival. A work of magnificent technique, full of drama and tension thanks to the light and the visual space achieved, discovering scenes of fight between bull and bullfighter that put the viewer at a point of maximum tension.

From its last print in 1983, and the last as a result of the preservation of its original plates, The National Calcography offers this extraordinary series available to anyone who wishes to acquire one of the graphic works of the artist’s last stage. The emphasis on its enigma or the detail and preciousness of the movements achieved by technical perfection makes this work one of the most brilliant of the Royal Academy.

Reference:
C3402
Title:
The famous Fernando del Toro, picador, forcing the beast with his pole (Tauromaquia Plate 27)
Engraver:
Goya y Lucientes, Francisco deFuendetodos, Zaragoza, 1746 - Burdeos, Francia, 1828
Sheet dimensions (approx.):
334 x 442 mm
Platemark dimensions:
248 x 356 mm
Plate etching year:
1814 - 1816
Stamping year:
1983
Print run:
150
Technique:
Etching, aquatint, drypoint and burin
Additional information:
Work in sepia ink made by the National Calcography of Madrid in 1983, on tub paper made by hand by the "Moulin de Verger" of Angouleme (France).
Bibliographic references:
BARRENA, Clemente; BLAS, Javier; CARRETE, Juan; MEDRANO, José M., "CALCOGRAFÍA NACIONAL, Catálogo general", Real Academia de Bellas Artes de San Fernando, Madrid, 2004, vol. II, 472 - 477, cat. 3933 - 3972.
Guarantee of origin:
Real Academia de Bellas Artes de San Fernando. Calcografía Nacional.
Size of each artwork may vary in millimeters.
 

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