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Rufflé, Teófilo

Crown of Recesvinto and others

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This print of Architectural Monuments was engraved by Teófilo Ruffle, a Parisian artist who played a leading role in the creation of this fantastic series as an engraver. He trained as a lithographer with Juan José Martínez in the city of Madrid, where he was from a young age, also attending the Royal Academy of San Fernando as part of his training. He moved back to his native city where he perfected the art of lithography at the Municipal School of Drawing directed by Leon Painlevé. 

He returned to Madrid as an excellent artist in chromolithography, taking part in national exhibitions, obtaining an honourable mention and even participating in series as important at this historical moment as this collection of Monuments or some such as The Spanish Museum of Antiquities (1872 - 1880)

Toledo was the Visigothic Spain’s capital and for this reason we can find evidence of this today with clear examples such as the one we see in the engraving, the gold and silver work. The use of crowns as a symbolic element for kings and emperors dates back to the Byzantine Empire, alluding to the divine power of the monarch or emperor. In this case, votive crowns, crowning a cross, are the royal symbol of Jesus Christ and Christianity, which is why the crowns of the Guarrazar treasure had a cross hanging in the centre. They were extraordinarily rich as they were made of gold and accompanied by precious stones, mother-of-pearl, glass, pearls, etc.

Reference:
E3756
Title:
Crown of Recesvinto and others
Engraver:
Rufflé, TeófiloParís, Francia, nac. 1835
Draftsman:
Aznar y García, Francisco
Sheet dimensions (approx.):
744 x 596 mm
Platemark dimensions:
513 x 380 mm
Plate etching year:
1852 - 1881
Stamping year:
1852-1881
Technique:
Cromolithography
Additional information:
Stamping of D. Castell, Madrid.
Bibliographic references:
BORDES, Juan, "Monumentos Arquitectónicos de España 1852 - 1881", Real Academia de Bellas Artes de San Fernando [etc.], Madrid, 2014, 90 - 94, cat. 216 - 264.
Guarantee of origin:
Real Academia de Bellas Artes de San Fernando. Calcografía Nacional.
Being an original print from the 19th century, it may present some marks that the pass of time has given it. Size of each artwork may vary in millimeters.
 

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